Find by what matters to you

AZ2402AR-CGW uses Ash, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

MDM1006-PW combines Alder with a 6-string MDM original body, bringing classic bass foundations, modern 24-fret playability and a clear, powerful response together.

MDM1305-NAB combines Ash with a 5-string MDM original body, bringing classic bass foundations, modern 24-fret playability and a clear, powerful response together.

RG5120M-PRT pairs African Mahogany with an ultra-slim Wizard-family neck and low-profile locking tremolo for direct, dependable high-speed and high-gain playing.

PIA3761-XB combines Alder, PIA Blossom inlay, Petal Grip, UtoPIA pickups and the Edge tremolo system in a signature built for visual identity and upper-register expression.

PIA3761-SLW combines Alder, PIA Blossom inlay, Petal Grip, UtoPIA pickups and the Edge tremolo system in a signature built for visual identity and upper-register expression.

AZ41B1-BKF uses American Basswood, an all-black identity and Iron Label intent to recast AZ ergonomics as a sharper modern-metal platform.

SRMS720-BCM combines Okoume, a body-conscious three-dimensional contour and a slim neck, giving tonal breadth and long-session comfort equal priority.

MDM1600-NML combines Alder body / Poplar Burl top with a 4-string MDM original body, bringing classic bass foundations, modern 24-fret playability and a clear, powerful response together.

MDM1600-CTL combines Alder body / Poplar Burl top with a 4-string MDM original body, bringing classic bass foundations, modern 24-fret playability and a clear, powerful response together.

AZ2204N-AWD uses Alder, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204AG-TGB uses Ash, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204NW-DTB uses Alder, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204AG-TFB uses Ash body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204-PW uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204N-VGF uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204-ICM uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204NJA-TS uses Alder body / 4 mm Japanese Ash top, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2204NW-MGR uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2402-ROM uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2402-BKF uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2402-PWF uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ24027-TFF uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2402-ICM uses Alder body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

AZ2402AR-CGB uses Ash body, a balanced asymmetrical body and detailed switching to advance familiar ST language into a contemporary Super Strat.

S6670SK-DUB combines African Mahogany body / Silky Oak top material with Ibanez's signature slim, sculpted S silhouette, preserving fast playability and vivid figure in a body that stays close and comfortable.

BTB805MS-FNL combines Okoume/Ash wing body / Poplar Burl top material, deep cutaways and multi-scale geometry for firmer low-string tension and clear, fluid upper-register technique.

MDM1000-PW combines Alder body with a 4-string MDM original body, bringing classic bass foundations, modern 24-fret playability and a clear, powerful response together.

SR4500-DST combines Ash body, a body-conscious three-dimensional contour and a slim neck, giving tonal breadth and long-session comfort equal priority.

MDM1600-CTL combines Alder body / substantial Poplar Burl top with a 4-string MDM original body, bringing classic bass foundations, modern 24-fret playability and a clear, powerful response together.

RG8570-RBS combines African Mahogany body / 4 mm AAA Flamed Maple top, meticulous fret-edge work and the high-speed RG silhouette as a complete expression of Ibanez's top Japanese j.custom craft.

PIA3761C-BLP combines Alder body, PIA Blossom inlay, Petal Grip, UtoPIA pickups and the Edge tremolo system in a signature built for visual identity and upper-register expression.

RG8870-AGT combines Alder body / 4 mm AAA figured maple top, meticulous fret-edge work and the high-speed RG silhouette as a complete expression of Ibanez's top Japanese j.custom craft.

RG8527-BSR combines African Mahogany body / 4 mm AAA figured maple top, meticulous fret-edge work and the high-speed RG silhouette as a complete expression of Ibanez's top Japanese j.custom craft.

RG8870-BRE combines Alder body / 4 mm AAA Flamed Maple top, meticulous fret-edge work and the high-speed RG silhouette as a complete expression of Ibanez's top Japanese j.custom craft.

j.custom RG8570 combines AAA flamed-maple top · African-mahogany body and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8570 combines AAA flamed-maple top · African-mahogany body and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8620AH combines Ash top · African-mahogany body and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8870 combines AAA flamed-maple top · chambered-alder body and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8527 combines AAA flamed-maple top · African-mahogany body · ebony board and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8870 combines AAA flamed-maple top · chambered-alder body and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8570MH combines Two-piece Honduras-mahogany body · rosewood board and a focused modern specification to bring visual identity, stable feel and usable tone together.

j.custom RG8620AH combines Ash top · African-mahogany body · rosewood board and a focused modern specification to bring visual identity, stable feel and usable tone together.

Basswood body · rosewood board, paired with Vintage-Style Single-Coil Jazzmaster Set; measured weight 3.31 kg.

Alder body · rosewood board, paired with Premium Vintage-Style 60s Single-Coil Jazz Bass; measured weight 4.11 kg.

Ash semi-hollow body · maple board, paired with Fender Wide Range Humbuckers; measured weight 3.33 kg.

Alder body · rosewood board, paired with Premium Vintage-Style Late 60s Jazz Bass Set; measured weight 3.77 kg.

Alder body · rosewood board, paired with Premium Vintage-Style Late 60s Jazz Bass Set; measured weight 3.74 kg.

Alder body · rosewood board, paired with Hybrid II Custom Voiced Single Coil Telecaster; measured weight 3.34 kg.

Basswood body · rosewood board, paired with Vintage-Style Single-Coil Tele Set; measured weight 3.40 kg.

Basswood body · maple board, paired with Vintage-Style Split Single-Coil Precision Bass; measured weight 3.50 kg.

Alder body · rosewood board, paired with Hybrid II Custom Voiced Single Coil Jazzmaster; measured weight 3.54 kg.

Basswood body · rosewood board, paired with Vintage-Style Single-Coil Jaguar Set; measured weight 3.44 kg.

Alder body · rosewood board, paired with Hybrid II Custom Voiced Single Coil Jazz Bass; measured weight 4.10 kg.

Basswood body · rosewood board, paired with Fender vintage-style single-coil set; measured weight 3.59 kg.

Basswood body · rosewood board, paired with Vintage-Style Single-Coil Jazzmaster Set; measured weight 3.41 kg.

Basswood body · rosewood board, paired with Single-Coil Mustang Set; measured weight 3.23 kg.

Alder body · maple board, paired with Hybrid II Custom Voiced Single Coil Jazz Bass; measured weight 4.35 kg.

Alder body · rosewood board, paired with Hybrid II Custom Voiced Single Coil Jazzmaster; measured weight 3.48 kg.

Alder body · maple board, paired with Vintage-Style Single-Coil Telecaster Set; measured weight 3.40 kg.

A 2026 limited finish with an alder body, Modern C neck, rosewood fingerboard and Hybrid II single-coil pickups.

A Japanese-made Jazz Bass built around 1960s specifications, with an alder body, rosewood fingerboard and vintage-style single-coil pickups; measured weight 4.17 kg.

White oil and red anodised trim create a vivid contrast, while a satin C neck, 310R fingerboard and Awake SSS set keep the playing response smooth and immediate.

Kurogaki figure sits over African mahogany, joined by a Fukuoka plum-blossom mark and a direct VT-1 circuit that balances rare material with classic T-style response.

Burl tochi gains depth beneath a vertical honey burst and gloss finish, while a 34-inch scale, VJ-1 pickups and passive 2Vol/1Tone controls keep the bass familiar and dependable.

Black, double binding and tortoiseshell create restrained vintage tension, while alder, Indian rosewood and VT-1 pickups bring warm mids and clear attack to a familiar outline.

White Blonde and gold preserve the offset silhouette, while ash, a C neck, 310R board and series/parallel Hotrod JS electronics move quickly from articulate texture to fuller output.

White and blue anodised trim form a crisp contrast, while the deeper treble-side cut, 310R board and Gravitas pickups improve upper access and string-to-string balance.

Three-Tone Sunburst preserves J-bass character, while 24 frets, deep cutaways and a contoured joint open the upper register. Mojotone Classic Jazz Bass pickups retain elastic, vocal mids.

Sonic Blue Blonde, ash and maple deliver crisp 1970s character, while a 3.63 kg body, 24 frets and quartersawn neck balance fast attack, upper reach and stability.

Two-piece ash beneath Butterscotch Blonde, rosewood and Awake-T pickups combine clear attack, grounded lows and simple three-way control in an everyday T-style instrument.

Irregular kurogaki figure, a flame-maple neck and Fukuoka plum-blossom mark create individuality, while a 3.36 kg body and direct VT-1 controls make it equally inviting to play.

Black keeps the focus on the five-string platform. Alder, rosewood, a 400R board and revised Gravitas pickups give the low B weight while retaining string balance and upper-register access.

Selected flamed tochi runs from body to headstock beneath Blue Burst. BEANO humbuckers, independent coil taps and a GOTOH 510T turn special-order presence into broad, stage-ready sound.

Spalted-tochi lines remain visible beneath the blue burst, while an SSH pairing of VS-1 and BEANO spans articulate singles and a fuller bridge voice.

A blue-brown burst follows the tochi figure, while the VS-1 and BEANO SSH set broadens the gain range of the traditional MC outline.

White Blonde leaves the ash grain visible, while a 310R board and revised Awake SSS set retain familiar five-way control with modern setup range.

Sonic Blue Blonde, ash and maple form a clean light-toned palette, with Awake SSS pickups and a 310R board opening a wider setup range.

The extended MJ24 board and ash body retain definition, while Mojotone Classic Jazz Bass pickups and Turbo switching cover classic passive response and a denser series voice.

White oil and a blue anodised guard create a sharp contrast, while Awake SSS pickups and a simplified single-tone control keep the layout direct.

Sonic Blue Blonde reveals the ash beneath this five-string MJ, with revised Gravitas pickups balancing the low B and a pull-up Turbo switch adding series weight.

Old Candy Apple Red adds mature depth to the five-string outline, while a 400R board and passive VJ-5 pair keep the low B spacious and the controls intuitive.

Old Candy Apple Red, rosewood and a traditional SSS layout centre the familiar MC response, with five-way switching keeping each pickup position easy to reach.

White oil keeps the body grain visible beneath a red anodised theme, while Gravitas-J pickups and Turbo switching move from articulate passive response to fuller output.

This 2025 show-limited MJ layers flamed tochi over a tochi body, pairing wine-red gradation and Madagascar rosewood on a 24-fret platform.

This Olympic White five-string MJ combines a 400R board and revised Gravitas-J-Five set with a deeper treble horn and Turbo switching.

SFFR red reveals the ash beneath and pairs with maple, while five-string Gravitas pickups and Turbo switching cover articulate passive tone and series weight.

White Blonde leaves the ash visible, while Gravitas-J pickups, a 310R board and Turbo switching add modern output choices to a familiar four-string MJ.

Natural finish fully exposes the ash grain, with maple, VJ-1 pickups and classic 2Vol/1Tone controls forming a direct four-string J-style foundation.

DLPB deep blue and rosewood create a restrained dark palette, while VJ-1 pickups and passive controls preserve an immediate J-style response.

Black with a tortoiseshell guard preserves classic proportions, while alder, rosewood and passive VJ-1 pickups centre the familiar four-string J-style formula.

Brown burst deepens the warmth of flamed tochi, while VJ-1 pickups and passive controls keep the show-limited materials grounded in a familiar four-string J layout.

Blue burst moves across the flamed-tochi figure, while four strings, a 210R board and passive VJ-1 controls preserve a direct J-style foundation.

White oil preserves subtle grain beneath a red anodised focal point, while Awake T single coils and three-way switching keep the T-style response direct.

White oil and red anodised trim sharpen the offset outline, while Hotrod JS series/parallel and high/low-pass filtering keep broad shaping under the hand.

Limited Fade Blue links a flamed-tochi top and tochi body into one continuous figure, paired with Madagascar rosewood and Awake SSS electronics.

White oil and blue anodised trim create a crisp T-style presence, while Awake T single coils and three-way switching retain clear attack and direct operation.

Blue anodised trim brightens the white-oil offset body, while Hotrod JS pickups, series/parallel and high/low-pass filters span articulate texture to denser output.

Flamed maple becomes the focal point beneath a transparent purple-brown finish, while alder, Indian rosewood and an SSH layout balance tradition with broader range.

Heavy ageing reveals a three-tone burst beneath the black multi-layer finish, while passive VJ-1 controls keep the complex surface grounded in a direct four-string J layout.

Heavy ageing reveals a three-tone burst beneath Sea Foam Green, while VJ-5 pickups and a 400R board preserve five-string low-end reach and passive control.

Fade Blue follows the flamed tochi across this 24-fret five-string MJ, joined by Madagascar rosewood, Mojotone pickups and Turbo switching.

Someiyoshino cherry moves from dusk tones into deeper Yozakura Gradation, completed by ebony, gold hardware and a passive VJ-1 layout.

Vintage Wine Red Gradation moves from deep red into natural flamed tochi, paired with a tochi body, Madagascar rosewood and VS-1 SSS electronics.

White oil keeps the French platanus grain visible, while Hotrod JS pickups and series/parallel plus HPF/LPF switching broaden the offset platform.

White oil carries platanus grain across the TL outline, while Awake-T4/T5 pickups and three-way switching form a compact two-pickup layout.

White oil preserves the platanus grain, while Gravitas-J-Five pickups and a pull-up Turbo control add an immediate output change to the five-string J platform.

Beneath Olympic White, two Classic Strat pickups and a bridge Classic Hot Humbucker connect articulate single-coil voices with fuller output.

The black finish focuses attention on the HSS layout, where two Classic Strat pickups and a bridge Classic Hot Humbucker span detail and fuller drive.

Two-piece alder body · rosewood board, paired with Momose SSS set; measured weight 3.50 kg.

Noto-hiba semi-hollow body · compressed Noto-hiba neck · Indian-rosewood board, paired with Momose VT-1; measured weight 2.59 kg.

A Japan-made limited PS model pairing a traditional JM outline with Seymour Duncan SJM-1 pickups and a preset circuit.

An ash body, rosewood fingerboard and SCHECTER JB J pickups bring a classic bass outline together with Japanese workshop finish.

A traditional JM outline with Seymour Duncan SJM-1 pickups and preset switching, finished in a restrained Lake Placid Blue.

A tiger-figured maple, maple and alder layered body with stainless frets, HSH pickups and a Gotoh tremolo.

Flame maple visuals, 24 frets, HSH pickups and a locking tremolo form a modern Professional Grade SD specification.

A Sound Messe 2026 display model with a layered body, maple fingerboard, three Monster Tone J pickups and Gotoh 510T.

A Japan-made NV Professional platform combining flamed visuals, 24 frets and a Super Rock / Monster Tone HSH layout.

A Sound Messe 2026 SD bringing a layered body, roasted maple neck, HSH pickups and Gotoh 510T together.

Swamp ash, dual USA Monster Tone TE pickups, Jescar frets and a GOTOH fixed bridge form a clear Professional Telecaster platform.

Flamed maple, ash, an ebony fingerboard, Super Rock HH pickups and a Hipshot fixed bridge form a compact, forceful professional Telecaster.

A limited AR offset combining burned ash grain, 24 frets, Super Rock J HH pickups and independent coil switching.

A 24-fret HSH layout, roasted maple neck and Gotoh 510T place this blue SD squarely in a modern professional platform.

A limited PS model combining a scalloped maple fingerboard, SSS pickups and hi/low-cut circuitry with a traditional outline.

A custom AR offset with an ebony fingerboard, 24 stainless frets, Super Rock J HH pickups and a locking tremolo.

A shop-order SD with 24 stainless frets, custom-wound SSH pickups, Gotoh 510T and a bespoke control circuit.

Alder, rosewood, HSS pickups, Gotoh GE102T and hi/low-cut circuitry form a direct, practical Japan-made PS.

A ProGauge order with lightweight ash, Duncan SJB-2 pickups and passive controls; early woodworking and Japanese assembly/finishing are stated separately.

A Professional Artist Signature built around a C-4-style outline, Seymour Duncan SSB-4 pickups and active three-band EQ.

See-through orange follows the flamed maple across a 24-fret NV with Super Rock J humbuckers, coil split and locking tremolo—an exclusive finish with modern stage function.

Vintage Tint exposes the ash and double binding, while all-satin feel, TLJ pickups and a six-saddle GOTOH bridge deliver clear T-style attack that takes drive naturally.

Skyline Grey Metallic wraps a compact 97-percent body with Ultra Access set neck, 24 stainless frets and Duncan Jazz/Distortion pickups for LP weight with modern speed and clarity.

Blue quilted maple adds dimensional movement to the SD outline, while Super Rock/Monster Tone HSH, Split Tone, coil split and locking tremolo span crisp detail through full high-gain weight.

See-through orange follows the flamed maple, while roasted maple sharpens feel and stability. HSH, Split Tone and coil split keep this limited SD agile from clean detail to high gain.

Carbon Tint exposes the mahogany pores, framed by tortoiseshell binding and inlays. Twin Seymour Duncan P-90s and a 24.75-inch scale join open mids and texture to familiar LP feel.

White ash, Honduras rosewood, TK Original Grip and Monster Tone TE/Duncan pickups bring sharp edge, authority and artist-specific stage details to a familiar T-style outline.

Yellow Blue Burst reveals quilted maple over chambered ash. Roasted maple, 24 stainless frets, Duncan JB/'59 and locking tremolo turn the lighter body into a clear, stable professional platform.

See-through red amplifies the quilted maple, while 24 frets, Super Rock/Monster Tone HSH, Split Tone, coil split and locking tremolo switch easily between detail, weight and expressive arm work.

A full-size S outline loses weight through semi-hollow alder, while a bridge stack humbucker, Bass Cut and five-way switching keep the lively body tight and stage-ready.

Green quilted maple gives the flagship SD depth, while 24 frets, Super Rock J pickups, Split Tone, coil split and locking tremolo serve fast switching and stable modern arm work.

A compact thin body and 770 mm scale travel easily and play comfortably, while twin J-630 pickups, vintage spiral bridge and pull-up series mode give the short scale tighter, more useful authority.

A smaller Dinky body eases handling, while the Seymour Duncan SMD-4D humbucker, three-band EQ and Slap Switch concentrate tight lows, definition and instant dynamic lift in one four-string bass.

Rose Pink Metallic, pearloid guard and double binding balance sweetness with precision, while alder, rosewood, TLJ single coils and a six-saddle GOTOH bridge retain clear Japanese T-style response.

Mojolnir M30T is shown in Coastline. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets form a clear modern T-style specification.

Mojolnir M30T is shown in Miami Beach. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets form a clear modern T-style specification.

Mojolnir M30T is shown in Sunrise. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets form a clear modern T-style specification.

Mojolnir M30T is shown in Mojito. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets form a clear modern T-style specification.

Mojolnir M30T is shown in Violet Fizz. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets form a clear modern T-style specification.

Mojolnir M40T is shown in Coastline. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets sit in a T-style outline with coil-splitting electronics.

Mojolnir M40T is shown in Violet Fizz. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets sit in a T-style outline with coil-splitting electronics.

Mojolnir M30S is shown in Rainbow Line. MC-1 Vintage SSH pickups, a floating tremolo, 15:1 tuners and 22 frets give this ST-style model a modern specification with coil split.

Mojolnir M30S is shown in Volcanic Ash. MC-1 Vintage SSH pickups, a floating tremolo, 15:1 tuners and 22 frets give this ST-style model a modern specification with coil split.

Mojolnir M30 is shown in Gradient Purple. MC-1 Vintage SSH pickups, a floating tremolo, 15:1 tuners and coil split keep familiar ST-style control beneath the gradient finishes.

Mojolnir M30 is shown in Gradient Green. MC-1 Vintage SSH pickups, a floating tremolo, 15:1 tuners and coil split keep familiar ST-style control beneath the gradient finishes.

Mojolnir M30 is shown in Gradient Pink. MC-1 Vintage SSH pickups, a floating tremolo, 15:1 tuners and coil split keep familiar ST-style control beneath the gradient finishes.

Mojolnir M30 is shown in Gradient Grey. MC-1 Vintage SSH pickups, a floating tremolo, 15:1 tuners and coil split keep familiar ST-style control beneath the gradient finishes.

Mojolnir M50S is shown in Aurora White Gold. MST-50 ModernS05 Alnico pickups, a two-point tremolo and 18:1 locking tuners create a hardware-focused HSS specification.

Mojolnir M50S is shown in Santorini Black Gold. MST-50 ModernS05 Alnico pickups, a two-point tremolo and 18:1 locking tuners create a hardware-focused HSS specification.

Mojolnir M50 is shown in Obsidian Black. Coil-splittable HSS pickups, a two-point tremolo, 18:1 locking tuners and a 25.5-inch scale form a complete modern ST specification.

Mojolnir M50 is shown in Fog White. Coil-splittable HSS pickups, a two-point tremolo, 18:1 locking tuners and a 25.5-inch scale form a complete modern ST specification.

Mojolnir M50 is shown in Metallic Green. Coil-splittable HSS pickups, a two-point tremolo, 18:1 locking tuners and a 25.5-inch scale form a complete modern ST specification.

Mojolnir M50 is shown in Bondi Blue. Coil-splittable HSS pickups, a two-point tremolo, 18:1 locking tuners and a 25.5-inch scale form a complete modern ST specification.

Mojolnir 8-BIT STAGE-T is shown in Lava. A pixel outline, photosensitive-resin body and vintage T-style bridge carry the visual theme into the structure, with a simple three-way, volume and tone layout.

Mojolnir 8-BIT STAGE-T is shown in Grey Sand. A pixel outline, photosensitive-resin body and vintage T-style bridge carry the visual theme into the structure, with a simple three-way, volume and tone layout.

Mojolnir M350F is shown in Mint Ice Green. MJL-54N/MJL-54B VINTAGES/4 Alnico J pickups, a 34-inch scale and two-volume, one-tone controls keep a direct four-string JB layout.

Mojolnir M350F is shown in Sea Salt Sakura. MJL-54N/MJL-54B VINTAGES/4 Alnico J pickups, a 34-inch scale and two-volume, one-tone controls keep a direct four-string JB layout.

Mojolnir M350F is shown in Basalt Black. MJL-54N/MJL-54B VINTAGES/4 Alnico J pickups, a 34-inch scale and two-volume, one-tone controls keep a direct four-string JB layout.

Mojolnir M350F is shown in Moonrock Silver Grey. MJL-54N/MJL-54B VINTAGES/4 Alnico J pickups, a 34-inch scale and two-volume, one-tone controls keep a direct four-string JB layout.

Mojolnir M550S is shown in Santorini Black Gold. Twin J-style pickups, a 34-inch scale, blend control and three-band active EQ extend the traditional JB outline into a direct active-control platform.

Mojolnir M550S is shown in Aurora White Gold. Twin J-style pickups, a 34-inch scale, blend control and three-band active EQ extend the traditional JB outline into a direct active-control platform.

Mojolnir M40T is shown in Mojito. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets sit in a T-style outline with coil-splitting electronics.

Mojolnir M40T is shown in Miami Beach. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets sit in a T-style outline with coil-splitting electronics.

Mojolnir M40T is shown in Sunrise. Mojolnir 30 CERAMIC SSH pickups, a vintage-style tremolo, 12-inch radius and 22 frets sit in a T-style outline with coil-splitting electronics.

Farida F-5020 is shown in Dreamy White Peach. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Cream Cheese. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Galaxy Sea Salt. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Metallic White. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Metallic Blue. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Lavender Purple. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Sky Blue. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Pearl Pink. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Bay Blue. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Amber Yellow. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Night Black. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5020 is shown in Brilliant Magenta. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.

Farida F-5220 is shown in Iridescent Black. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Ile Blue. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Lime Green. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Spring Pink. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Pearl White. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Phantom Black. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Seafoam Green. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Farida F-5220 is shown in Cloudwater Blue. A roasted-maple neck and fingerboard, J-J pickups, vintage open tuners and two-volume, one-tone controls form a clear four-string JB specification.

Sqoe SEST699 is shown in Sea-veined Stone. An alder body, Canadian maple neck and fingerboard, Alnico H-S-S pickups and a coil-split mini switch form a bright modern ST specification.