GEAR HUNTER · BEYOND THE CATALOGUE
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BREADTH · DEPTH · PERSONAL REVIEW
Gear Hunter searches beyond the catalogue and also presents instruments that need further confirmation of price, collecting context or supply terms; every one of these cases can move straight into an enquiry for more detailed information.
Regular catalogue instruments without a public numeric price can also appear in Gear Hunter. Start an enquiry now and our team will confirm the instrument, availability, final price and delivery terms, then provide more detailed information.
Collectible instruments stay in the regular catalogue. Start an enquiry now and we will check provenance, condition, originality, distinctive specifications and collecting context in more depth, then provide more detailed information.
Pre-order instruments remain in the full catalogue and also appear in Gear Hunter without a displayed price. Start an enquiry now and we will confirm supply, final pricing, timing and delivery terms, then provide more detailed information.
CURRENT SHOWCASE · GEAR HUNTER
Price-on-request, collectible and pre-order instruments remain in the full catalogue and also appear together in Gear Hunter. Pre-orders do not display a price, and each instrument appears only once.
IV2RG brings Black Limba body / 4 mm Burl Maple top, neck-through construction and a highly individual finish together as a labour-intensive, futuristic instrument for demanding heavy playing.
French platanus, limestone-inspired white, ebony and a gold Tree of Life inlay define this ten-piece limited bass, grounded by a familiar J-style layout made to be played.
Marblewood moves like stone beneath a three-tone vintage gradation, while an African mahogany neck and rosewood board give the SSS five-way platform a warmer foundation.
This Sound Messe 2025 special order carries selected 5A flamed tochi across body and headstock, with independent coil taps expanding both humbuckers.
Premium Collection materials combine natural ironwood figure, a one-piece African mahogany body and a Kalimantan ebony fingerboard.
Buckeye burl eyes meet blue-green resin in a non-repeating top, grounded by an SSH layout and direct five-way switching.
Limited to twelve, this model unites French platanus, limestone-white oil, ebony and gold botanical inlays with an Awake/BEANO SSH layout.
A one-piece Premium Collection model combines an F-hole semi-hollow build, flamed tochi, one-piece ash and a flamed-maple neck at 3.16 kg.
This EWC configuration places flamed tochi, one-piece ash and an exotic-maple board around a PJ layout with switchable Aguilar OBP-2 active electronics.
A fully made-to-order Artist Collection model built around a 34-inch five-string layout, Seymour Duncan SSB-5 pickups and active three-band EQ.
A fully made-to-order Artist Collection seven-string with a 25.5-inch scale, seven-string Super Rock J pickups and Gotoh 510FX-7.
Flamed maple, lightweight ash, ebony, USA Super Rock Vintage pickups and Gotoh 510TS form a one-off Collector Telecaster custom.
A one-off ST3-CTM combining flamed maple, lightweight ash, Honduras rosewood and USA Monster Tone SSS pickups.
A top Japanese Schecter ST Custom combining exceptional tiger-figured maple, lightweight ash, HSH pickups and an Original Floyd Rose in a one-off Collector specification.
A one-off Sound Messe EX-CTM with flamed maple, Honduras mahogany and rosewood, USA HSH pickups and Gotoh 510TS.
Ave Mujica/Doloris black-and-gold identity meets a 25.5-inch seven-string AR, with Super Rock J 7 pickups, coil split and low-cut balancing weight, chord clarity and fast attack.
Blue turns the burl's eyes and depth into a focal point, while alder, twin single coils and a six-saddle GOTOH bridge preserve direct, controllable T-style response.
White ash, Honduras rosewood, TK Original Grip and Monster Tone TE/Duncan pickups bring sharp edge, authority and artist-specific stage details to a familiar T-style outline.
Farida F-5020 is shown in 30th Anniversary White-Green Graphic. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.
Farida F-5020 is shown in 30th Anniversary White-Orange Graphic. A roasted-maple neck and fingerboard, 648 mm scale, 22 frets and HSS layout preserve traditional ST control across a broad finish range.
Buckeye-burl eyes and resin accents form an individual top, grounded by a direct four-string J layout with passive VJ-1 controls.
Pink-purple burst follows the exotic-camphor figure, while a 3.76 kg body and passive VJ-1 controls keep the four-string layout direct.
Natural spalted-tochi lines run through the dark burst, with VS-1 and BEANO SSH pickups plus coil tap extending the traditional ST layout.
A blue vertical gradation contains the dense burl-maple figure, while the matte surface, 3.92 kg body and passive VJ-1 layout stay controlled and direct.
Blue burst deepens around the camphor-burl figure, while twin VJ-1 pickups and familiar 2Vol/1Tone controls retain a traditional four-string workflow.
Blue-green vertical gradation follows the selected flamed tochi, paired with a 4.16 kg body and familiar passive VJ-1 foundation.
Natural finish preserves the full contrast between buckeye burl and resin, while the 4.01 kg body and passive VJ-1 controls leave focus on the individual top.
Irregular burl-maple figure fills the offset body, while Hotrod 60s JM pickups pair with series/parallel and HPF/LPF switching for a detailed signal path.
Dense ironwood figure and a one-piece African-mahogany body define this Premium Collection instrument, with three Mojotone '59 Clone Strat pickups retaining direct five-way control.
Pink burst follows the flamed tochi around the F-hole, pairing a 3.11 kg semi-hollow build with Mojotone '59 Clone Jazzmaster pickups.
Fade Blue reveals the flamed tochi, while seven-string HSS electronics, a 310R board and five-way switching place extended range in a familiar MC outline.
Sakura red burst, a burl-sakura top and purpleheart board create a unified palette, while the seven-string HSS layout extends the range.
Blue vertical gradation follows the flamed tochi across a semi-hollow MC body, pairing 3.27 kg weight with a wide HSS five-way layout.
One-piece flamed tochi meets a flamed-maple neck and board, while Mojotone '59 Clone Jazzmaster pickups add series/parallel and filter switching to the offset format.
Camphor grain covers the five-string PJ body, while VP-5 and Gravitas-J-Five pickups work with a switchable two-band preamp for passive foundations and active adjustment.
Transparent red deepens the redwood figure, while three VS-1 pickups and traditional five-way switching preserve a familiar SSS workflow.
Fuyuzakura gradation keeps the Someiyoshino cherry visually soft, paired with an ebony board and passive VJ-1 four-string J layout.
The 50th-anniversary edition reveals flamed tochi through red gradation, with VT-1 pickups, three-way switching and a 3.23 kg body keeping the TL layout direct.
The 50th-anniversary MC presents flamed tochi through red gradation, while three VS-1 pickups and five-way switching continue a familiar SSS workflow.
The 50th-anniversary edition lays purple gradation over selected flamed tochi, with passive VJ-1 controls and a 4.01 kg body retaining a stable four-string J foundation.
Purple gradation follows the selected flamed tochi, while VJ-5 pickups, a 400R board and 4.55 kg body extend the anniversary specification into five-string range.
A muted green-natural burst links flamed tochi with pale-moon ebony, while Mojotone Classic Jazz Bass pickups retain traditional passive control.
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A finish, grain, year, limited run or discontinued model that is not in the current catalogue.
Left-handed instruments, unusual string counts, scale lengths, electronics, pickup layouts or other uncommon specifications.
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